I am sitting cross-legged on my slightly bruised hardwood floor, actively trying not to think about when I will finally find the time to scrub it clean, while simultaneously attempting to achieve spiritual transcendence over the roar of the gardener unleashing an arsenal of violently loud power tools outside. More than six centuries ago in Kashmir, a woman named Lal Ded shed her clothes, walked out of a miserable marriage, and wandered the valley reciting vaakhs — piercing verses that dismantled every polite rule of religion and society. She wore only the sky. I forgot my cardigan at Waitrose last Tuesday.
It All Comes Full Circle. Exit The Circle Now…
A deeply personal reflection on duality, identity, and spiritual awakening,
Kashmir Through Her Lens, Philly Through Mine
The first time it snowed in Philadelphia, I was walking beside my mother on
There Was Life of a ‘Pi’, and Then There Is Life of an ‘I’
We fled Kashmir overnight, hidden in the back of a truck, eighteen souls pr
Rendezvous With My Master, My Soul Friend & An introduction To Mahavtaar Babaji
I met Dr. Uday Shah, spiritual scientist and authority on aura research, at
CRISPR Partner: The Urge to Edit Love
Love rarely announces itself as control; it arrives as care, wrapped in sug
The Roundabout View of Life!
Roundabouts are more than just traffic calming devices; they offer valuable
In Focus
Exile, As Inherited
Some people are born into a home. I was born into the absence of one. I grew up far from the valley my parents describe with a certainty that makes distance feel temporary, as if the place still waits for us just a few roads away. My grandparents do not dwell on the night they left. They speak instead about the ordinary life that ended mid-routine: work postponed indefinitely, conversations left unfinished. For them, displacement was not travel. It was severance. And here I am, the generation raised in the in-between, the one who didn't witness the rupture but feels responsible for the repair. I am not only inheriting their sorrow. I am inheriting their correctness. Their exile did not nullify our belonging. If the story is told incorrectly, I must correct it.
Editor's Desk
She Gave My Childhood a Home
A photograph on her daughter's desk stops her mid-tidy. It is the only image she has from her childhood: a solemn toddler sitting stiffly for the camera, a faint streak of blue ink along her collar where a small girl once decided white needed colour. That the picture survived at all is its own quiet miracle, carried out of Kashmir when there was no time to carry anything. Holding it now, she understands something she had not planned and could not have prepared for. She has passed something on, not just a photograph, but the full, unasked-for weight of a world that no longer exists.


