The Women Who Carried the World on Their Heads
In a St. Thomas gallery, a photograph of a Caribbean woman stops a Kashmiri writer mid‑step. Through Ama Dennis’s Backbone series and the history of the island’s coaling women, the essay traces a line from 19th‑century dock labour to today’s invisible work in fields, factories and care. It asks whose effort we agree to see, and how endurance becomes skill we refuse to name. Part travel piece, part historical recovery, part meditation on gender and labour, this is a story about the bodies that hold the world up and the frames that finally let us look.
The Quiet Death of the Deep Reader
Books once held a monopoly on knowledge. Today they compete with smartphone
The Day The MIst Swallowed My World
At twelve, I was handed a note left at our gate: my father had been marked
Stop Scrolling: What 140 Characters Did to the Way We Think
You probably won't finish this, and that's precisely the problem. We've gon
Am I a Good Parent?
Every parent wonders, "Am I a good parent?" For immigrant parents, this que
The Teacher Hidden Within the businessman
To the world, Santosh Kumar Raina was a Srinagar businessman known for inte
The Accomplice
A wedding, a borrowed bicycle ride, ten rupees spent on gol gappas, and a s
In Focus
Ten Steps Ahead
A few weeks before her final medical exams, a young doctor lost her father — the one person who had wanted her qualification most. Years later, an Excel spreadsheet on his computer revealed the truth: long before anyone else, he had understood she was neurodiverse, and had quietly carried the logistics, the deadlines and the planning she struggled with, never once making a performance of it. A Father's Day tribute to a man who measured love in actions, not words.
Editor's Desk
What The Coil Leaves Behind
The rain made the heat bearable but not the mosquitoes. I tried sprays and roll-ons; finally I lit the tortoise green coil and watched its smoke curl towards the fan. In the morning only a curved grey line of ash remained, a shape that stayed whole until it did not. Three family photographs, taken across decades, registered a similar disappearance: carved latticework and lawns, then an emptied house and finally only steps where a home once stood. The coil’s slow spiral seemed the right image for what time does to memory and to the land left behind.


