The Day The MIst Swallowed My World
At twelve, I was handed a note left at our gate: my father had been marked for death by militants, and my family had one night to scatter. This is a memoir of the Kashmir I grew up in, the paradise that turned dangerous overnight and the childhood spent waiting, displaced, in a house that wasn’t ours. It’s also about what came after — reuniting with my parents, only to lose my father in 2002 and my mother in 2018. A story about losing a homeland twice: once to militancy, once to time.
Am I a Good Parent?
Every parent wonders, "Am I a good parent?" For immigrant parents, this que
Letter to Daddy
On Father's Day, and on the eve of his birthday on Zaistha Ashtami, a daugh
Peppa Pig to F1: A Father’s Journey with His Girl
From Peppa Pig marathons to Formula 1 weekends, this is a quiet story of tr
Oxymoronic Paradoxical Matrix
What if the questions you've been desperately seeking answers to were never
Haakh
Far from Kashmir, in a modest Chandigarh garden, a physics teacher finds hi
It All Comes Full Circle. Exit The Circle Now…
A deeply personal reflection on duality, identity, and spiritual awakening,
In Focus
Crayons to Chromosomes: Navigating Toddlers and Cell Lines
For Indian women building scientific careers far from home, motherhood and research aren't separate worlds, they're woven together into one demanding, grace-filled life. Postdoctoral researcher Moksha Laxmi writes from inside that balance: lab notes and lunchboxes, data analysis and bedtime stories, all in a single day. Without the extended family network that anchors Indian households, she finds unexpected resilience, leans on a partner who shares every late-night worry, and watches institutions slowly make room for academic parents. And with twins, every joy and challenge simply arrives doubled.
Editor's Desk
What The Coil Leaves Behind
The rain made the heat bearable but not the mosquitoes. I tried sprays and roll-ons; finally I lit the tortoise green coil and watched its smoke curl towards the fan. In the morning only a curved grey line of ash remained, a shape that stayed whole until it did not. Three family photographs, taken across decades, registered a similar disappearance: carved latticework and lawns, then an emptied house and finally only steps where a home once stood. The coil’s slow spiral seemed the right image for what time does to memory and to the land left behind.


